TrueMatch RMC References

Pauler Acoustics: Better than the Microphone

Being its first user, Mr. Günther Pauler employed the 28-bit converter made by Stage Tec. He was able to achieve remarkably transparent recordings in the »Kerk Van de Doopsgezinde Gemeente« in Haarlem, Netherlands; this church is renowned for its excellent acoustics. Our photo shows a session in the church, with the Spirit of Gambo ensemble recording their new CD – supported by a True Match RMC unit by Stage Tec. more ...

Great Coalition in Berlin

The Reichstag in particular will be furbished with plenty of equipment:
Digital microphones featuring Stage Tec's patented TrueMatch A/D converters, a large NEXUS router, and two CANTUS consoles will all be working within the audio network and will be feeding the sound-reinforcement system. more ...

"28 Bits in your Bag" by Jakob Händel

There is no device I think about less during a project than the TrueMatch RMC. Once it is set up on stage, all signals are transmitted directly in the MADI format to my Pyramix hard disk recorder via a single BNC cable. It is safe to say that presetting the microphone input levels on stage – the only thing I still have to do manually – has become a routine job after some 150 studio and live recordings over four years. more ...

TrueMatch RMC Test

»...Stage Tec's converter is characterized by the most neutral sound of all tested products.«
This is the conclusion of a paper issued by the renowned Hochschule für Musik (Music Academy) in Detmold, Germany. The authors Michael Acker and Harald Gericke actually wanted to examine the influence of high sample rates such as 96 KHz on sound reproduction. more ...