Triagon

TRIAGON Features

Input Channels

14-triagon-zentral-enlargeTRIAGON’s input channels provide all functions you’ll ever need for productions, live events and public address applications:

  • All input channels come with a fully parametric 4-band EQ
  • Output channels can be configured for up to 10 EQ bands
  • Channel-specific dynamics processing (compressor, limiter, expander or gate)
  • Configurable sidechain input
  • The processing order of EQs and dynamics processors can be changed
  • Signal delay up to 256ms
  • Insert and direct outs available on all channels

Equalizer

Frequency range of all bands: 20Hz~20kHz
Cut/boost: ±24dB max.
Filter types: Bell (shelving/cut type selectable for highest and lowest bands)
Q: 0.5~100 (peaking and shelving)
Slope: 24dB (cut)

Buses and Outputs

The console provides several bus types that can be configured at will:

  • 15-busse-enlargeGroup
  • Sum
  • Master
  • AUX send (pre-/post-fader, post-pan)
  • N–1 multiplex bus
  • Monitoring (Monitor/PFL/Solo/AUX)

Extensive processing power on the console’s outputs: the buses can be routed to processing channels providing the same processing features as input channels! In addition, they are equipped with selectable 10-band equalizers for quick fine-tuning to the acoustic environment.

Monitoring

TRIAGON’s monitoring section provides multiple outputs that can be processed individually.
The Phones Out, Foldback Out and Studio Out sections, for instance, provide individual balance, listening level and phase inversion parameters. Their output signals can be muted, combined to a mono signal, and dimmed.
The sources of those paths can be freely selected using the input routing functions. They can also be routed to the CRM monitoring path. If required, the PFL signal can be automatically routed to all monitor buses.

16-zentrales-monitoring-enlMonitoring

For surround applications, the CRM Out monitor bus is available in a multichannel format. It provides a meter and a direct source switching function. “Access Channel”, PFL, Solo, Monitor In.

 

PFL/SOLO Modes

  • 17-pfl-und-solo-enlargePFL with alternate switching
  • Mixing PFL with central PFL reset
  • PFL to Monitor (control-room monitoring)
  • PFL on preview speakers
  • PFL/Monitor Off at “fader open” for broadcast applications
  • SOLO mixing, post-pan

 

Access Channel

18-input-routing-enlargeSettings can be changed offline without affecting the mix: a special audio channel, with all features of a regular channel strip (i.e. with equalizer, dynamics processing, delay setting, level and pan), allows operators to prepare new settings during a show. Any input signal can be routed to this channel independently of the current mix and adjusted at will. Separate monitoring of this “Access Channel” is also available. Once the new settings are ready, they can be copied to the desired channel with a single button press, at which time they are applied to the live mix.

Automation

TRIAGON provides several automation routines:

  • Static automation (also called “theater operation”)
  • Dynamic automation

 

Snapshot Automation

19-cue-list-enlargeTRIAGON’s snapshot (static/theater) automation allows users to store and recall either selected or all parameter settings to the desired channels. This is performed via a CUE list.

Thanks to this feature, individual snapshots (or scenes) can be recalled either automatically or using buttons during as the show progresses. Adjustable blending times between scenes allow for seamless automatic (adjustable blend time) or manual transitions (using a dedicated fader).

Extensive parameter filters provide easy access to the desired parameters. Snapshot management of all automation events is performed from the graphic user interface. Control data for external devices (e.g. the audio network or external players) can be embedded and recalled together with the console data. Snapshot sequence steps can even be recalled via optional serial or GPI interfaces, like lighting mixers or stage-management desks.

Static automation, i.e. Cue list recalls, can be synchronized to a timecode signal.

Dynamic Automation (Optional)

Dynamic automation (optional) records all user actions referenced to an internal or external timecode signal. The recorded data can be stored, edited and played back. Editing and post production operations can be performed either by overwriting current settings, or by modifying them offline via the event list.

Surround (Optional)

The surround option provides multichannel features for all inputs and outputs, and a pan setting for formats up to 6.1 channels plus octophenia. Multichannel signals can be linked for dynamics processing.