Stage Tec Entwicklungsgesellschaft für professionelle Audiotechnik mbH Berlin: TrueMatch RMC

TrueMatch RMC - The High-End A/D Converter Appropriate to the 28-Bit World

Characteristics

Characteristics
	The outstanding TrueMatch converters made by Stage Tec are also available in a stand-alone unit: The TrueMatch RMC. This device allows the utilization of 24/28-bit processing capabilities wherever heaviest demands are made on analog signals: Live Recording - There is always enough space for a TrueMatch RMC unit because it consumes only an incredible 3 U for its 24 channels. Thus, the susceptible analog microphone signals need to be transferred to the converter unit only via short cables while the digital outputs are directly connected to a hires recording device – there is no need for more equipment. If AES/EBU is used as digital output format, spanning distances of 100 meters (330 ft) can be achieved. With MADI, fibre-optic lines can even span 2 kilometers (1¼ miles). Thanks to the high dynamic range of the recording, level-setting procedures are postponed to the post-processing stages. Re-Mastering – The TrueMatch RMC converts the analog output signals of a multi-track machine. This high-quality digital signal can then be stored to a modern small and cost-efficient digital medium with a resolution of 24/28 bits. Music production - The low-cost converters incorporated in many digital consoles are bypassed using a Reference Mastering A/D unit inserted into the signal path.
Read the conclusion of a thesis by students from the Music Academy in Detmold (Germany) and the conclusion from Jakob Händel	Utilization Using the TrueMatch RMC is simple. An external sync signal applied to the wordclock input is recognized immediately, and all microphone-input settings are made using encoder/indicator sets. More configuration options are available when using the supplied computer software. Formats The TrueMatch RMC is shipped in a variety of versions in order to cover a large range of individual applications. Line and microphone inputs are as well available as digital outputs for all prevailing audio format such as AES/EBU (S/PDIF), ADAT, TDIF, Y2, SDIF, or MADI.
	A/D Converters At the moment, a multitude of low-budget digital desks and recorders is available on the market that promise professional features such as audio-signal processing and storage with 24-bit quality. However, if present at all, the implemented analog interfaces cannot handle the analog signals in an adequate way in terms of dynamics. However, thanks to its exceptional audio-processing capabilities, Stage Tec‘s TrueMatch RMC constitutes an analog 28/24-bit front-end device that will meet even the heaviest demands put on audio quality.
	D/A Converters Expand your TrueMatch RMC with optional D/A-converter boards and use the digital inputs for converting ADAT/TDIF/Y2/MADI-format signals to feed analog devices (such as talkback units), or as high-quality outputs of a digital workstation. The TrueMatch RMC AES/EBU version, too, may be equipped with D/A converters. The required AES/EBU digital inputs are provided using separate XER boards.

Stage Tec Entwicklungsgesellschaft für professionelle Audiotechnik mbH, D-12459 Berlin, Tabbertstr. 10
Phone: +49 30 639902-0, Fax: +49 30 639902-32, , © 2002-2008 Stage Tec Berlin

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