An ambitious pilot project has
caught the attention of Swiss theaters: at Stadttheater Bern, culture
goes digital with CANTUS.

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Stadttheater Bern
Conquering the Stage Bit by Bit
As usual, everything is very late. The rehearsal took much longer than anticipated,
and the night's performance is due to start in a few minutes. »With our
previous sound system, this would have been next to impossible,« says
the sound engineer. However, now all he needs to do is pressing a few buttons
to completely reconfigure the CANTUS console. The first scene is completely
ready to go, including routing, automation, and talkback. Come to think of
it, he would have had time for a cup of coffee…
Planning
In 1997, Stadttheater Bern decided to replace its old sound system. From
the outset, it was clear that only an all-digital solution would be able
to meet all the theater management's requirements. Furthermore, it turned
out that the running costs of a digital system were actually lower than
those of an analog system.
Sound quality and operational convenience were only two of the criteria.
Even more important was the ability to alternate between rehearsal and
show settings in no time.
For this reason, the CANTUS/NEXUS solution suggested by SAAVS Friedrich
Salzbrenner GmbH appeared to be the only viable option, so it was unanimously
decided to go with Stage Tec products. That's a first in the Swiss theater
world.
Stadttheater Bern opted for a CANTUS with three fixed and two mobile NEXUS
base devices for a total of 100 microphone inputs with 28-bit A/D converters,
48 line inputs, 88 line outputs, and 24 AES/EBU inputs as well as an eight-channel
TDIF unit. This allows for connecting all sources and routers directly
to the NEXUS busses. Analog patch bays proved totally unnecessary – a
big plus for those concerned about quality and reliability.
Old & New
The main problem with historic buildings lies in reconciling a period
setting with the latest technical achievements. This was even more awkward
at Stadttheater Bern because redundant lines had been specified for reasons
of reliability. Providing this sort of redundancy using thick multicore
cables is almost impossible without affecting the interior. With the CANTUS/NEXUS
optical cable network, however, it proved to be a breeze.
Redundancy insures against the sound engineer's worst nightmare: total
breakdown due to the failure of just one line is now impossible.
Stability and reliability were principal concerns during the planning
stage of the installation. The new system even checks the speaker system
and microphone ports, and immediately reports problems in case of failure,
whilst any issues inside the CANTUS system can be solved thanks to diagnostic
software that immediately flags hardware problems. This allows the operator
to replace a defective board – even while the system is running!
If the problem is not just a matter of replacing boards, a Stage Tec engineer
in Berlin can be 'virtually' called onto the scene: an ISDN connection
actually allows him to remotely analyze all the functions of the CANTUS
console and the NEXUS units from Germany and to correct them where necessary.
About the Project
Built in 1899, Stadttheater Bern's multidisciplinary approach
serves a large cultural audience. Apart from opera, operetta, theater performances,
and children matinees, musicals are becoming increasingly popular. The
sound department's requirements and tasks are correspondingly diverse,
especially since only four people have to cover this vast program. In 1984,
during a complete refurbishment, a new sound system was installed. Fourteen
years later, it began to come apart at the seams, resulting in increasingly
frequent system failures. The city of Bern therefore decided to make a
financial grant for the renewal of the sound system and commissioned a
detailed project from the company Scopein Research.
Backstage
The theater management voiced yet another requirement that only CANTUS
was able to meet. The Bern venue also boasts a choir hall that is often
used for adding live audio to the main production. CANTUS and NEXUS proved
to be a system whose latency was low enough to allow for live additions
via the network whilst simultaneously monitoring in the choir hall what
is going on the main hall.
The Stage Tec system in Bern even provides for independent productions
in the connected recording studio during theater performances. The Bern
sound engineers were delighted
when they learned about the flexibility of the system.
Digital Reality
As with many other theater installations involving CANTUS, Bern's sound
engineers saw another of their dreams come true: a mobile digital slave
console that can be located in the hall during rehearsals whilst being
linked to the main console in the control room. The connection includes
theater automation, remote control of external sound sources, and talkback.
CANTUS liberates the sound engineers from their isolation by allowing them
to work with first-hand impressions and audio feedback.
NEXUS and fibre-optics make the setup even more flexible: two mobile base
devices can be set up right where the action is. To this end, the stage
has been fitted with eight optical connectors that can be used without
limitations – a huge plus for productions involving complex stage
sets.
Plug & Play
The installation operation proper probably set a new record. Only two
breaks – a total of about six weeks – were required for SAAVS
Friedrich Salzbrenner GmbH to renew the theater's entire wiring despite
of massive grounding problems of the old cable network and customized speaker
control: Thanks to a graphic representation of all speakers in the hall,
the special speaker-routing matrix designed and built by Salzbrenner allows
for intuitive control of all 32 surround speakers.
After several months of successful operation, no sound engineer at Stadttheater
Bern can even begin to imagine how they ever got by without this system.
And that, by
the way, is not only thanks to operational ease and excellent sound quality but
also thanks to the new creative options that CANTUS and NEXUS provide. The system
has
been running full throttle from day one with no problems whatsoever. So the Digital
Sound System for Stadttheater Bern project can be said to be a success in all respects.
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