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Vatican
Spreading the Word
Radio
Vatican has been spreading Catholic teachings across the globe since
1931. But closer to home, until recently, its antenna pole was spreading
something else. Such is its field strength that it was inducing noise
in every copper wire in the Vatican. Today, that interference is no
longer a problem thanks to a NEXUS at the Vatican.
Not so long ago, Radio Vatican's switching room looked more like a
museum than a modern control centre. Sepia tinged photos of its inauguration
back in 1931, revealed that little had changed in the room in almost
seventy years. Indeed, the microphone pope Pius XI used for the first
speech on that inaugural day still exists, and is on public display
in the Vatican. So why did the Vatican wait so long before bringing
its central technology up to date?
Lack of space
The answer to this question has much to do with the Radio Vatican's unique
circumstances, which present specific problems that are unlikely to be encountered
by any other broadcaster. For a start, space is limited, so the radio's studios
have to lie outside the Vatican, at the Palazzo Pio in Rome. This building
hosts a modern computer-networked audio system for recording, editing, and
broadcasting. Meanwhile, the transmission pole and the switching room are
located on Vatican soil, at the Palazzina, some 3 km inside the city walls.
Here, lack of space dictates that the transmission pole and the switching
room lie within walking distance of each other.

Until now, programmes recorded and edited at the Palazzo had to be mastered
on tape and carried to the switching room inside the Palazzina in order to
be aired. A fixed line between these two buildings was out of the question,
given the strong noise produced by the transmission antennas: the field strength
was too much for conventional analog copper wires to handle.
A Test of Faith
Another drawback was the fact that the antenna has to be rotated, according
to the area the broadcasts are to cover. Around noon, the antenna faces the
switching room, where all the audio signals are handled – with a radiation
efficiency of 80 V/m.
From a theoretical point of view, the Stage Tec crew, however, was confident
that even these levels of exposure would pose no problems for NEXUS, and
they came to The Vatican to put their faith in the product to the test.
The Vatican borrowed a NEXUS device for four months, and after a thorough
series of tests, the system's noise resistance was proved beyond doubt: absolutely
no interference or beating could be measured. The only things present were
the excellent audio specs of the NEXUS' input stages. The reasons for this
are the high common mode rejection of the analog inputs and outputs on the
one hand, and the characteristics of fibre-optic cable which is largely immune
to electromagnetic interference, on the other.
Networked and Integrated
Today, a fibre-optic line links the studios to the switching room. Either
side is equipped with two NEXUS base devices that are connected to each other
via Stage Tec's proprietary FOC format. The completed programmes no longer
need to be carried physically to the other side, but are now simply sent
down an optical line. The Vatican uses mono-mode cable for bridging the distance
of several kilometres.

Apart from linking the production centre to the switching room, NEXUS
also handles several other tasks: for example, it distributes the various
signals and converts them into different formats in the studio complex
as well as in the switching room. In comparison to the old system, NEXUS
has allowed the Vatican to save up 80% on cable runs, with the additional
advantage that the NEXUS can be controlled by the on-air system with a
precision of less than a second. Furthermore, the NEXUS' controlling PCs
have been integrated into the production network. The multiuser software
and graphic user interface run on the same computers that are also used
for recording and editing the radio's material. Finally, the XDSP plug-in
boards connected to the NEXUS also handle processing of the broadcast
signal's dynamics, thereby rendering the station's former 32 limiters
obsolete.
New Beginnings
For the planners at Radio Vatican, it was an undeniably big decision
to carry out such a momentous overhaul, involving the replacement of tried
and tested equipment. A great deal of preparation was required, as well
as the support of all those in charge at the station. Florenzo Petitta,
the technical production manager, Piero Iorio, the technical manager of
the switching centre, and Maurizio Venuto, the technical director of Radio
Vatican, jointly voted in favour of NEXUS. However, don't expect the NEXUS
system to remain unchanged for another seventy years. On the contrary,
such is the success of the new system that plans are already underway
for the first expansions of the system in the shape of additional base
devices.
Radio Vatican Today
According to Radio Vatican's multilingual information pack,
its main aim is »to link the heart of the catholic world with all
countries around the globe«. Back in 1931 programmes were broadcast
in Latin, to a limited audience. But today, Radio Vatican broadcasts in
53 languages, and to 32 different territories of the world. The huge programme
offering is prepared by 60 engineers in 14 control rooms, and countless
reporters and journalists working in all the various languages. Broadcasting
on short wave, medium wave, FM, and via satellite – Radio Vatican
truly covers the world.
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