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One CANTUS for All
The RTBF broadcasting corporation (Radio-Télévision
Belge de la Communauté Française) caters to the French-speaking
part of Belgium with three television and six radio channels. With
its five stations in various Belgian cities, it has a total budget
of approximately 220 millions Euro. The 300 employees in its Liège
subsidiary produce programs for two television channels and some of
the radio channels.
The Belgian broadcast corporation RTBF faced a predicament regarding
their studio plant at the Liège facilities: new audio equipment
was urgently needed to fulfill the various tasks, however, the budget
was rather tight. Yet, the existing equipment was so old, it just had
to be replaced.
The problem was solved in a pretty ingenious way: rather than
working with several control rooms, each with their own domain,
RTBF decided to use a single control room that – being
equipped with a CANTUS console – was capable of handling
virtually all applications.
TV and Beyond
In Liège, RTBF as a quasi-local station provides almost
everything from newscasts to show productions. For this purpose,
the Liège facilities include a TV-production studio, a
sound-effects studio, and a newsroom. All three of them are connected
to the same control room. Since the station is housed in the
large Palais des Congr ès, it also covers conferences
and concert live transmission. In fact, the Palais des Congrès
boasts several halls with varying capacities that are suited
for concerts of the most diverse musical genres. This is a perfect
environment to prove the flexibility of CANTUS.
Workhorse
Sound check for a live recording in the main conference hall until
6:59 PM, live telecast in the TV studio starting at 7 PM… a
fairly normal schedule for the CANTUS control room, and business
as usual for the people at RTBF who are in charge of setting up
everything. Moreover, thanks to its advanced features, total recall
functions, and lightning-fast loading times, the CANTUS is just
the right tool for meeting such stringent deadlines.
Another aspect that won the people at Liège over was the
compact frame: the CANTUS fits perfectly into the relatively small
control room. Its modular concept allows for expanding the system
as and when necessary while both the CANTUS and each individual
NEXUS base device can be connected using just one optical cable.
No other approach would have allowed the RTBF to work with both
fixed and mobile units.
NEXUS on a Long Lead
The station is currently using one CANTUS console with two NEXUS
base devices in the control room, a fully equipped base device
in the routing center, and three mobile base units. Via ten different
connection options, the NEXUS network can be reconfigured completely
ad-lib to meet the requirements of the day. Not less than five
halls can be linked to the digital control room – with
one little twist: permanently installed cables were not allowed
in the conference hall, so RTBF was forced to use a temporary
optical cable network of up to 200 m for special occasions.
This seemingly makeshift solution has several advantages: the system is even
more flexible than originally planned while the NEXUS base devices can be
positioned wherever the action is. Here's just one example: every year, the
Spring Jazz Festival with simultaneous performances in five halls seating
up to 1,000 people is broadcast live by the RTBF. The cabling system implemented
by the RTBF makes this a breeze.

All Together Now
This compact but nonetheless powerful CANTUS/NEXUS system has
turned RTBF in Liège into the act other TV stations would
like to follow. That is only the beginning, for the experience
made with the quality and flexibility of this system had the
RTBF furbish its radio complex with CANTUS, too.
André Curnel, Planning and Operations
Engineer at RTBF Liège:
»During the planning stage, the RTBF engineers
carefully tested the CANTUS and NEXUS that were to be the heart
of our new system. Countless measurements were carried out to
find out about, for example, the console's signal-throughput
rate and audio quality. Our technical findings proved beyond
doubt that the CANTUS and NEXUS are a cut above other digital
desks. This is especially true of Stage Tec's 28-bit converters.
They are extremely linear and provide a measurable S/N ratio
of 150 dB. When installed in a portable NEXUS base unit, we can
locate them in the concert hall itself and link them to the CANTUS
via an optical connection. This approach does away with long
interference-prone copper wires, and the console can be operated
at 28-bit signal quality.«
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