(2003)

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For many broadcasters,
the ultimate stage in
moving towards a fully
digital studio complex is
the digitalisation of the
main switching centre.
However, there are as
many broadcasting
services as there are
concepts for
switching centres with
NEXUS
They only share a few common attributes.
All are NEXUS-based and brand new.
Since the NEXUS technology is so multifarious,
they can differ in almost every
other respect, above all, in fundamental
concept.
Small yet Centralised
First example: The Hamburg NDR controlcentre.
A direct substitution of the previous
analogue system was required. The
new system comprises two compact
NEXUS racks, housing the entire controlcentre
matrix. This exceptionally high
packing density was achievable by using
RJ45 sockets on 8-channel converter
boards. This modern connector, familiar
from computer networks, was specially
adapted to the good old Siemens terminal
strips, so with only a few plugs to
reconnect, the new NEXUS could immediately
be put into operation. Another
aspect peculiar to this system is NDR’s
use of Matrix 5 software and the latest
generation CPU. Both were originally
designed for NEXUS STAR systems,
although NDR’s NEXUS is built around
conventional base devices. The reason for
this variation is that NDR needed one of
the brand-new Matrix 5 options; the
crossfade board. This is used to crossfade
to and from regional programme opt
outs.
Big Star
The Polish Broadcasting Service in Warsaw
pursued an entirely different route.
Here, the NEXUS installation was extended
right into the studios. 18 distributed
base devices connect to a NEXUS STAR
in the control centre. This network is
unusually wide, interconnecting two
buildings almost 20 km (12.5 miles)
apart. This gulf is spanned using a single-mode
fibre to connect the second building
to the STAR. This system architecture
looks almost like a comet — a star with a long sub-net tail. Building
this system
was a real technical challenge for the
SALZBRENNER STAGETEC MEDIAGROUP.
Acting as a general contractor, they not
only installed the audio network, but all
the studio equipment for the broadcasting
service.
Dual Security
The French Canal+ pay-TV service, based
in Paris, runs one of the largest networks.
Their existing NEXUS network was complemented
with two STARs, each provides
4,096 inputs and 4,096 outputs. Under
normal conditions, the total traffic is distributed
between the routers. However, a
single STAR has enough capacity to manage
the whole network if necessary. This
built in redundancy was a critical feature
for Canal+, because here too, the entire
internal audio cabling is based on NEXUS,
with base devices spread throughout the
building and into the individual machine
rooms.
Distributed Control
A large distributed network with no sign
of a STAR. This is a reasonable idea if you
need to adopt working practices born out
of the analogue world. A good example
is All India Radio, AIR, the Indian
government radio. At their New Delhi
headquarters, AIR have completed the
changeover from the analogue era to an
entirely new, fully digital radio complex.
NEXUS is a reassuring factor here as it
has proved reliable in countless other
installations, even under unusual climatic
conditions.
Unlike European radio ser vices, this system
is designed on a decentralised paradigm.
The signals are not directly routed
to a control centre, but to NEXUS base
devices located in primary control rooms.
Each sub-centre autonomously manages
the output of five or six radio studios,
therefore, only a bare minimum of routing
is required at the control centre.
Always Included
All four of these installations, located in
very different corners of the world, illustrate
an important trend. The new generation
of control centres adapts to the
task(s), not vice-versa. Small or large, centralised
or distributed, with STARs or subnets,
the choice is extensive, but always
includes the very highest reliability and
optimum audio quality, and of course, a
NEXUS.
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