(2001)
Dr. Helmut Jahne is one of the directors
of Stage Tec in Berlin. With priority
on digital
audio, he helds
several patents
and leads the
continuous
product development
at
Stage Tec.
download: »Less is More« (pdf, 92KB)

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Shielded audio cables are
the basis of every
professional signal
connection, right?
Well, not necessarily.
In fact, STAGETEC has
found that an unshielded
analog connection in a
NEXUS-based system is
less noise susceptible
There was a time when to be “digital”
meant, without question, to be “good”.
Nowadays, most users know that – even
in the digital domain – the quality of the
components, intelligent strategies, and
clever circuitry layout are still important.
And, in those places where analog
signals are converted to digital data,
and vice versa, such excellence becomes
essential.
Today, high-quality analog input and output
stages are a key feature of NEXUS.
When it comes to noise rejection, two of
its features, extremely high common
mode rejection and a ground coupling
capacity of a few picofarads, are especially
important, since conventional circuits
produce significantly higher values. The
result of this tiny capacity is a virtual
absence of grounding, even for audio
frequencies rather than just DC. The
quality of NEXUS inputs and outputs is
such that line cables without shielding
can actually produce better audio specifications.
Various Kinds of Noise
So how is it possible to dispense with
shielding or a ground connection? Most
users believe that grounding is necessary
as a screen against external noise.
It is important to give consideration to
noise produced by induction and capacitance
as well as high-frequency noise.
Inductive noise normally affects both
signal lines within the cable and cannot
be eliminated by a screen, so that shielding
has no effect. The only way to minimize
the effect of inductive noise is by
reducing the distance between the signal
lines – and to compensate the noise by
twisting the conductors.
In the case of capacitive noise, however,
a shield can be useful. The external noise
is then diverted towards the ground, thus
keeping it from interfering with the
signal. The drawback of this approach is
that the ground differs at various points
along the cable.
Shielding provides less protection
against high-frequency interference than
might be expected. On the contrary, in
some cases, the shield may actually act
as an antenna with a capacitive connection
to the signal conductors.
Capacitive Noise
Without shielding, the capacitive noise
can go directly into the signal lines.
Here again, keeping the signal lines
close together – or working with twisted
pairs – can cause both conductors to
pick up the noise. In that case, the noise
is summed on both wires and therefore becomes a common-mode signal. The
desired signal, that is, the difference
between balanced signal lines, however,
is not affected, provided that the inputs
and outputs have a sufficiently high
common mode noise rejection.
Should an external signal, nevertheless,
get only into one of the signal lines, it is
important to offer analog audio outputs
with the lowest possible output impedance.
That ensures that the noise is
immediately coupled to the other signal
line. The noise is then the same for both
signal lines, and so cancels out again.
This finding is not new: Stephen
H. Lampen (Belden) discussed it in his
presentation „Transporting Audio Signals
on Category 5 UTP”, at the 109th AES
Convention in September 2000.
Tests with NEXUS
But so much for the background theory:
what about the practice? Unfortunately,
Belden had no audio devices with a common mode rejection ratio in excess
of 80 dB, so verification of this claim
has proved impossible. For Stage Tec,
however, this is no problem: NEXUS
modules have a common mode rejection
of sometimes more than 150 dB,
with an output impedance of only 8
ohm, while the parasitic ground capacity
only amounts to a few 10 pF, so that
all specifications by far exceed the official
requirements.
To substantiate STAGETEC’s findings
about the redundancy of shielded cable
under such conditions, the company
tested the noise sensitivity of various
cable types connected to a NEXUS
module: a 120 m long Cat. 5 S-STP
cable1, and a 300 m Cat. 5 UTP cable
run2.
Expect the Unexpected
As far as output voltage unbalance measurements
go, UTP cable provided
values in excess of 30 dB better than
S-STP cable – even though the UTP
cable was more than twice as long. This
came as no surprise, as this is due to
the significantly lower ground capacity
of UTP cable. What were interesting,
however, were the crosstalk values
between adjacent channels. There, unshielded
UTP produced values that were
up to 20 dB better than with S-STP
cable!
That finding prompted Stage Tec to
examine the drawbacks of working with
UTP cable.
To this end, Stage Tec simulated an
unbalanced noise source by placing a
slightly unsymmetrical signal on both
conductors. Again, the UTP cable’s crosstalk
values were a lot better – by a sensational
35 dB. In this experimental
setup, the balance was „worsened“ to
the minimum permissible according to
the German Performance Requirements
(Pflichtenheft) 3/5. Doing so made no
difference for S-STP cable thanks to its
shield. The UTP cable, however, exhibited
a dramatic change: its crosstalk
rejection ratio dropped to that of S-STP
cable.
Unshielded Cable is a Winner
With high-quality inputs and outputs
exclusively, unshielded UTP cable for
analog signal lines yields much better
crosstalk values than its S-STP counterpart,
even though the S-STP cable used
for the measurements was already far
superior to other cable types commonly
used in audio.
Working with UTP cable is a better idea
also when the quality of the audio inputs
or outputs lies below that of the input
and output stages found on a NEXUS –
provided such I/Os still conform to the
German Performance Requirements
3/5. Working with shielded cable, on
the other hand, is necessary in cases
where the balance of the connected
devices is below par, where the parasitic
ground capacity is high, or if absence of
ground cannot be guaranteed.
The Future Belongs to RJ45
Nothing, then, should deter us from
using unshielded audio cable, provided
the digital system used is fitted
with high-quality analog interfaces.
Phantom-powered condenser microphones
obviously cannot do without
shielding. Nevertheless, all analog
STAGETEC modules are now available
with the usual XLR sockets, or alternatively,
with the RJ45 connectors used
in IT environments. Because of their
mechanical characteristics, RJ45
sockets should only be used in fixed
installations. Over all the advantages of
the RJ45 cabels are obvious: making
new cables becomes a breeze; the
cable itself is less expensive; while the
audio quality of RJ45 connections is
actually better.
On the seminar at
the Banz monastery,
Dr. Jahne made a presentation
to prove this theory. With a
setup with a 300 m run of unshielded
UTP cable, he showed the
effect on unshielded cables in an
extreme and dramatic way: On
one of the lines he connected a
dynamic microphone while the
adjacent conductor pair carried a
1 KHz test signal with a level of 22
dBu. Even at maximum microphone
preamplification, the test signal
could not be detected, while there
was no hum either. Our measurement
devices allowed us to detect
a crosstalk attenuation of 140 dB
at 1 KHz. |