An ambitious pilot project has
caught the attention of Swiss theaters: at Stadttheater Bern, culture
goes digital with CANTUS.

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Conquering the Stage Bit by Bit
As usual, everything is very late. The rehearsal took much longer than
anticipated, and the night's performance is due to start in a few minutes. »With
our previous sound system, this would have been next to impossible,« says
the sound engineer. However, now all he needs to do is pressing a few
buttons to completely reconfigure the CANTUS console. The first scene
is completely ready to go, including routing, automation, and talkback.
Come to think of it, he would have had time for a cup of coffee…
Planning
In 1997, Stadttheater Bern decided to replace its old sound
system. From the outset, it was clear that only an all-digital
solution would be able to meet all the theater management's requirements.
Furthermore, it turned out that the running costs of a digital
system were actually lower than those of an analog system.
Sound quality and operational convenience were only two of the
criteria. Even more important was the ability to alternate between
rehearsal and show settings in no time.
For this reason, the CANTUS/NEXUS solution suggested by SAAVS
Friedrich Salzbrenner GmbH appeared to be the only viable option,
so it was unanimously decided to go with Stage Tec products.
That's a first in the Swiss theater world.
Stadttheater Bern opted for a CANTUS with three fixed and two
mobile NEXUS base devices for a total of 100 microphone inputs
with 28-bit A/D converters, 48 line inputs, 88 line outputs,
and 24 AES/EBU inputs as well as an eight-channel TDIF unit.
This allows for connecting all sources and routers directly to
the NEXUS busses. Analog patch bays proved totally unnecessary – a
big plus for those concerned about quality and reliability.
Old & New
The main problem with historic buildings lies in reconciling
a period setting with the latest technical achievements. This
was even more awkward at Stadttheater Bern because redundant
lines had been specified for reasons of reliability. Providing
this sort of redundancy using thick multicore cables is almost
impossible without affecting the interior. With the CANTUS/NEXUS
optical cable network, however, it proved to be a breeze.
Redundancy insures against the sound engineer's worst nightmare:
total breakdown due to the failure of just one line is now impossible.
Stability and reliability were principal concerns during the
planning stage of the installation. The new system even checks
the speaker system and microphone ports, and immediately reports
problems in case of failure, whilst any issues inside the CANTUS
system can be solved thanks to diagnostic software that immediately
flags hardware problems. This allows the operator to replace
a defective board – even while the system is running! If
the problem is not just a matter of replacing boards, a Stage
Tec engineer in Berlin can be 'virtually' called onto the scene:
an ISDN connection actually allows him to remotely analyze all
the functions of the CANTUS console and the NEXUS units from
Germany and to correct them where necessary.
About the Project
Built in 1899, Stadttheater Bern's multidisciplinary
approach serves a large cultural audience. Apart from opera,
operetta, theater performances, and children matinees, musicals
are becoming increasingly popular. The sound department's requirements
and tasks are correspondingly diverse, especially since only
four people have to cover this vast program. In 1984, during
a complete refurbishment, a new sound system was installed. Fourteen
years later, it began to come apart at the seams, resulting in
increasingly frequent system failures. The city of Bern therefore
decided to make a financial grant for the renewal of the sound
system and commissioned a detailed project from the company Scopein
Research.
Backstage
The theater management voiced yet another requirement that only
CANTUS was able to meet. The Bern venue also boasts a choir hall
that is often used for adding live audio to the main production.
CANTUS and NEXUS proved to be a system whose latency was low
enough to allow for live additions via the network whilst simultaneously
monitoring in the choir hall what is going on the main hall.
The Stage Tec system in Bern even provides for independent productions
in the connected recording studio during theater performances.
The Bern sound engineers were delighted when they learned about
the flexibility of the system.
Digital Reality
As with many other theater installations involving CANTUS, Bern's
sound engineers saw another of their dreams come true: a mobile
digital slave console that can be located in the hall during rehearsals
whilst being linked to the main console in the control room. The
connection includes theater automation, remote control of external
sound sources, and talkback. CANTUS liberates the sound engineers
from their isolation by allowing them to work with first-hand impressions
and audio feedback.
NEXUS and fibre-optics make the setup even more flexible: two mobile base devices
can be set up right where the action is. To this end, the stage has been fitted
with eight optical connectors that can be used without limitations – a
huge plus for productions involving complex stage sets.
Plug & Play
The installation operation proper probably set a new record. Only
two breaks – a total of about six weeks – were required
for SAAVS Friedrich Salzbrenner GmbH to renew the theater's entire
wiring despite of massive grounding problems of the old cable network
and customized speaker control: Thanks to a graphic representation
of all speakers in the hall, the special speaker-routing matrix
designed and built by Salzbrenner allows for intuitive control
of all 32 surround speakers.
After several months of successful operation, no sound engineer
at Stadttheater Bern can even begin to imagine how they ever got
by without this system. And that, by the way, is not only thanks
to operational ease and excellent sound quality but also thanks
to the new creative options that CANTUS and NEXUS provide. The
system has been running full throttle from day one with no problems
whatsoever. So the Digital Sound System for Stadttheater Bern project
can be said to be a success in all respects.
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