User Interface

Ergonomics

Quick and intuitive operation was the main objective when designing the CINETRA. When the editor is working in twilight – with his eyes looking on the screen –, a clear and intuitive user interface featuring keypads and encoder sets is a must for a film console.

The number of eight encoder/indicator sets (which is optimum for quick perception) in connection with the flexible function assignment is ideal for concentrated work.

A Central Channel-Control Unit provides for direct access to every channel function. Selection is made straight on the channel strip or on the Central Channel-Control Unit. Channels not currently put onto the interface are nevertheless accessible.

The console dimensions were optimized for best access to all controls and easy readability of the displays and indicators. In addition, the console has an even surface, thus providing optimum view on the screen or the monitor.

The famous paddle switches allowing for blind PFL/AFL control are as well available as an extensive monitoring section where even the input channels can be routed directly to the monitoring paths.

The meter bridge contains special indicators for the bus routing that is normally highly complex in film mixing. Further, dedicated indicators are available for master-slave grouping. However, level meters are not missing at all: LED arc indicators show the current level settings.

No matter whether a 4-channel, 6-channel or even 8-channel mix is being made - pan fades can be performed comfortably at any time using the motorized joysticks on the Central Channel-Control Unit. (Motorized joysticks are not available on U.S. units.)

The bus routing, too, can be controlled using this panel. A feature that is not available with normal desks: Reassign buses. They provide for combining certain channels to groups.

Of course, the CINETRA features full snapshot and dynamic automation facilities.
All NEXUS and CINETRA data including routing and snapshots can be stored as project files to the internal hard disk or to an external medium. Thus, changes, remixes, and »urgent« trailers are painless as long as all other studio components are reliable.